Deforming Time.



A computational analysis of Ozu's film, one of the masterpieces of Japanese cinema. The brightest four minutes of the complete film's 136 minutes are seen in an alternate visualization: motion over time is presented as geometry, and spatial form as sequentiality. -- Kurt Ralske


Also, go here.  I've been on this page for the last few hours.  Kurt is amazing.

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UPCOMING


CP is taking a short hiatus.
in the meantime, check out OPENSIGNAL:


OPENSIGNAL V.2.2
thursday, mar 19, 2015
talks/demos: 7:30-8:30pm & show: 9pm

angela sawyer/house red/bridget feral
machines with magnets
pawtucket RI




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